This extensive interview with Andrew Hulshult, a prominent video game composer, delves into his career, creative process, and personal preferences. The conversation covers a wide range of topics, from his early work on projects like Rise of the Triad (ROTT) and the cancelled Duke Nukem 3D Reloaded, to his more recent contributions to titles such as DOOM Eternal, Nightmare Reaper, Amid Evil, and Prodeus.
Hulshult discusses the challenges and misconceptions surrounding video game music, emphasizing the importance of both artistic vision and financial viability. He reflects on his evolution as a musician, highlighting the lessons learned from early experiences and the unexpected surge in demand for his services after leaving 3D Realms. The discussion touches upon his unique approach to composing for different games, blending his signature metal influences with diverse styles to create immersive and memorable soundtracks.
Specific game soundtracks are examined in detail, including his work on ROTT 2013, Bombshell, Nightmare Reaper, Amid Evil (and its DLC), and Prodeus. Hulshult shares anecdotes about the creative process, the challenges of meeting deadlines, and the personal experiences that shaped his compositions. He also discusses the collaborative aspects of his work, emphasizing the importance of communication and mutual respect with developers.
The interview then shifts to Hulshult's work on the Iron Lung film soundtrack, his collaboration with Markiplier, and the differences between composing for film and video games. He also discusses his foray into chiptune music with Dusk 82, and the possibility of remastering older soundtracks.
A significant portion of the interview focuses on Hulshult's involvement with the DOOM Eternal DLC, including the highly acclaimed IDKFA soundtrack. He details the process of revisiting and expanding upon the original tracks, and the collaborative relationship with id Software. The challenges of balancing creative freedom with the expectations of established franchises are also explored.
The conversation concludes with a discussion of Hulshult's current guitar setup, his preferred amps and pedals, his daily routine, and his thoughts on various bands and artists, both within and outside the video game industry. He also shares his dream projects—a hypothetical Duke Nukem game and a film soundtrack for either Man on Fire or American Gangster. Finally, he discusses his coffee preferences, offering a glimpse into his personal life.
This interview provides a comprehensive overview of Andrew Hulshult's career and creative philosophy, offering valuable insights into the world of video game music composition.
