They Don’t Make ‘Em Like David Lynch Anymore

This article explores the enduring legacy of David Lynch, a filmmaker whose unique style has left an indelible mark on cinema. It begins by highlighting a pivotal scene from Twin Peaks, showcasing Lynch's ability to weave unsettling undercurrents into seemingly ordinary situations. This "Lynchian" quality, a blend of the mundane and the surreal, is central to his oeuvre.

The article then delves into the difficulty of defining "Lynchian," arguing that it transcends simple stylistic elements, encompassing a broader sense of unease and dreamlike atmosphere. It contrasts this with terms like "Spielbergian" or "Scorsese-ish," which are more readily tied to specific visual or thematic choices. "Lynchian," however, represents a more profound and elusive artistic sensibility.

The piece recounts personal experiences with Lynch's films, noting the timeless appeal of his work across generations. The example of Twin Peaks: The Return is used to illustrate Lynch's defiance of convention and his commitment to his unique vision, even within the constraints of a major network production. The film's unconventional approach, including its treatment of established characters, is presented as quintessentially Lynchian.

The article further examines Lynch's diverse filmography, contrasting the commercial failure of Dune (despite its inherent Lynchian qualities) with the critical acclaim and emotional depth of The Elephant Man. It emphasizes the beauty and unsettling nature of his imagery, often characterized by anachronisms and a deliberate departure from realism.

Blue Velvet is analyzed as a case study, highlighting the juxtaposition of idyllic Americana with a dark, surreal underbelly. The article also touches upon the influence of The Wizard of Oz on Lynch's work, suggesting a unique blend of influences that are unlikely to be replicated.

A poll inviting readers to share their favorite Lynch film is included, followed by a discussion of Lynch's influence on subsequent generations of filmmakers. The article cites several contemporary directors whose work exhibits a "Lynchian" sensibility, including Jane Schoenbrun (I Saw the TV Glow), Yorgos Lanthimos (The Lobster), Robert Eggers (The Lighthouse), Ari Aster (Midsommar), David Robert Mitchell (It Follows, Under the Silver Lake), Emerald Fennell (Saltburn), Richard Kelly (Donnie Darko), Rose Glass (Love Lies Bleeding), and Denis Villeneuve (early works).

The article concludes by acknowledging Lynch's significant impact on cinema, emphasizing his unique ability to create a sense of unease and reveal the hidden realities beneath the surface of everyday life. His legacy, it argues, lies not only in his individual films but also in the enduring influence of his distinctive style on contemporary filmmakers. The article ends with a reflection on the search for the "Lynchian" in the work of others, a testament to his enduring power as an artist.